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Popular Hollywood Needs To Come Out A Little

This year marks the first year GLAAD, an organization that works with media (social, cultural, and entertainment) on the inclusion of lesbian, gay, bisexual, and transgender people plus issues, has released a report that measures the representation of lgbt people in the mainstream film sector.

 

GLAAD reports that it has implemented and advocated for lgbt personality and issue inclusion in tv for almost twenty years, and that this year, due to how quickly television shows have become inclusive, the organization has shifted its focus to the behind-the-times film industry. It started the research because “major film studios appear reluctant to include LGBT characters in significant roles or franchises, ” and from its study, that certainly seems to be the case.

 

The particular “Studio Responsibility Index” looked at the six largest film studios in Hollywood: 20 th Century Fox, Paramount Photos, Sony Columbia Universal Pictures, Warner Brothers, and The Walt Disney Galleries. Only films released during the 2012 calendar year were chosen, amounting to 101 films (and Dalmatians). The thing that was searched for in each film had been an lgbt character, they were categorized into minor or major figures, and then counted under demographic details, including race/ethnicity and sexual orientation/gender identity.

 

What the report found is that less than 14% of the films had a character which identified as lgbt. Nearly all these (56%) were gay men, followed by lesbians (33%), although man representation almost doubled females. Almost 84% of all queer characters had been white, and none were Asian, Pacific Islanders, or multi-racial. The particular films which were the most inclusive? Not series, while no family-oriented movies included a hint of queerness inside them.

 

Of the six studios studied, not one got a passing grade. Two—20 th Centuries Fox and The Walt Disney Studios—are considered failing, with one lgbt character between the two studio powerhouses.

 

The report also establishes its own barometer test for the stereotyping plus flatness involved in creating queer figures. The “Vito Russo Test” takes a name from GLAAD co-founder plus celebrated film historian, has three points a film has to pass to become considered having a queer character that matters. The test takes direction in the famous “Bechdel Test” for women, plus reads:

 

    1. 1 . The film contains a character that is identifiably lesbian, gay, bisexual, and/or transgender.

 

 

    1. 2 . That character must not be solely or predominantly defined by way of a sexual orientation or gender identification. I. E. they are made up of exactly the same sort of unique character traits popular to differentiate straight characters from another.

 

 

    1. 3. The LGBT character must be tied into the plot in such a way that their removal would have a significant effect. Which means they are not there to simply provide vibrant commentary, paint urban authenticity, or (perhaps most commonly) set up a punchline. The character should matter.

 

 

Of the 14 films identified with lgbt characters, less than half of them pass this test, showing that this “LGBT community may be increasingly properly represented on television, but clearly there exists a lot of work remaining in The show biz industry film. ”

 

Recommendations made by GLAAD for the film industry touch on the importance of queer characters and their positive portrayal, especially in greater rate of recurrence and in more important roles, though at least in “normalizing” roles of everyday runs into. The report also underscored the significance of diversity which the entire entertainment sector has been struggling with for years. Issues of race, gender, socio-economic background, religious beliefs, and age are just as essential as lgbt issues and are routinely glazed over. Lastly and perhaps the majority of expectedly, there needs to be far more enhancements when it comes to transgender inclusion in film. GLAAD points out that “transgender representations remain at least 20 years behind the curve [in both film and television]. ” Each goes on to say that since there has been a lot more publicity about trans issues countrywide, the portrayal of trans issues should keep pace, rather than contribute to the marginalization of the trans neighborhood, something that has been becoming far too common.

Author: Eugene Riordan, Jr.

The submit Mainstream Hollywood Needs To Come Out A Little appeared first on Gay Plan.

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